The sobbing young woman had barely closed the door behind her before the colorectal surgeon turned his face to me and said: “If you ever have children, for God’s sake make sure you have an elective caesarean. I wouldn’t wish that on anyone.” As a graduate medical student, I masked a secret beneath my baggy attire. “Actually, I’m five months pregnant,” I replied. “So it’s not really theoretical in my case.” His face flushed crimson and he apologised profusely, but in fact, I welcomed his candour. His patient had endured chronic pelvic pain and the shame of urinary and faecal incontinence ever since the traumatic birth of her first baby a year earlier. My own secret fears of being mutilated in childbirth were now running wild. I knew what the NHS thought of women who were “too posh to push”.
Secrecy, stigma, blame and ignorance run like toxic waste through The Stitch-Up, a fierce polemic about the medical misogyny and gender violence that disfigure healthcare. Its author, Emma Szewczak, deploys brutal honesty about her own birth traumas and their ongoing consequences to devastating effect. On the very first page, she recalls how a midwife, stitching her up after the birth of her second child, “snipped and snapped – every so often dropping the bloodied scissors into the metal bowl with a clang to get a better purchase on a stitch with her fingertips, pulling it taut like the women in films fixing corsets”. When Szewczak suffers a violent episode of vomiting, the midwife is stopped in her tracks. Something is protruding from Szewczak’s splayed legs. After an ominous pause, the midwife utters the worst words anyone has ever said to her: “Your vagina’s fallen out.”
This hideous example of the power of language to wound in medicine is the first of many. The consultant who inspects Szewczak’s prolapsed vagina neither names nor explains the problem, but comments airily: “It could be fine but it’s impossible to say. Go home. Don’t overexert yourself! See how it goes.” When the prolapse recurs just before Szewczak’s six-week post-birth check, a GP chastises her for causing her own suffering: “You overexerted yourself, didn’t you?” Unsurprisingly, an undercurrent of rage and bitterness propels this book, with Szewczak discovering she has joined generations of women who have been failed by medical patriarchy.
Her central thesis is that as a female patient you are “damned if you do, damned if you don’t” – not least because centuries of male bias in medicine have led to unacceptable gaps in knowledge about female bodies. In order to recognise illness, you first have to know what health looks like. But in biomedical research, the archetype of “normal” has traditionally been a lean, white male. People who deviate from that norm in terms of sex, race or gender have tended to be excluded, misrepresented or – in the most all-encompassing form of bias – judged to be infirm by definition. Womanhood is the prime example, long regarded as an inherently pathological condition. Under the medical gaze, women have been branded weaker, feebler and at permanent risk – unless “fixed” by a hysterectomy – of being tripped into hysteria by their unruly uterus.
Centuries of male bias have led to unacceptable gaps in knowledge about female bodies
Szewczak co-wrote The Stitch-Up with her husband, Andrzej Harris, a Cambridge pharmacology fellow, who uses his biomedical expertise to help parse the statistics. Together they dissect the examples of birth trauma, prolapsed pelvic organs, endometriosis, labiaplasty and the devastating harms of the recent pelvic mesh scandal, showing how failures in the care of women today are embedded in the misogyny of the past. All make for maddening reading. Polypropylene mesh, for instance, is excellent at keeping inguinal hernias – a predominantly male complaint – in place. But the assumption that women’s highly elastic pelvic floors could safely be supported using the same rigid material was false. When the sharp contours of mesh began eroding and slicing through pelvic flesh, thousands of women were consigned to lifelong agony. Even after mesh is surgically removed, says one surgeon, the butchered vaginal tissue is left “in a state similar to a dug-up road”.
Some of this is familiar territory. The Stitch-Up joins a slew of recent books – such as Elinor Cleghorn’s Unwell Women, Cat Bohannon’s Eve and Rageshri Dhairyawan’s Unheard – that shine a long-overdue spotlight on medical misogyny. Where this one excels is in Szewczak’s elegant braiding of the historical narrative with her own. It is with extraordinary courage and candour, for example, that she recounts her first attempt to have sex with Andrzej after the birth that resulted in her prolapse. Everything goes catastrophically wrong. Intercourse triggers urinary incontinence of such force that Andrzej screams in horror, convinced he has caused his wife to violently haemorrhage. Lying in a pool of urine, her prolapse visibly protruding, Szewczak feels like “a Sainsbury’s bag-for-life filled with offal… disgusting, displaced, the opposite of sex”. It’s a devastating image and one which, I have no doubt, she has done immense good by sharing. There will be women silently cheering her for verbalising, in indelible ink, the manner in which their own bodies have come to feel like a source of private shame.
Reading Szewczak’s manifesto for how to improve the insufficient care received by cis women, trans people and non-white people, among others, is particularly poignant in 2025. As she demands a more inclusive and nuanced approach to biomedical research, Trump’s executive orders banning federal funding for activities relating to diversity are having devastating effects on health programmes, with thousands of US research grants already terminated. This book could not be more timely.
Rachel Clarke’s The Story of a Heart (Abacus) has been shortlisted for the Women’s prize for nonfiction 2025.
The Stitch-Up by Emma Szewczak (with Dr Andrzej Harris) is published by Chatto & Windus (£22). Order it at observershop.co.uk for a special 20% launch offer. Delivery charges may apply
Illustration by Observer Design/Freepik