There's no need to airbrush the Beatles' wives – just let them be

There's no need to airbrush the Beatles' wives – just let them be

Why are Ringo Starr's first wife Maureen and Linda McCartney unnecessarily prettified for film?


It’s said that when you die, your life flashes before your eyes. In the case of the famous, there’s an existential dry run with biopics – though they may not always look like your life.

Ringo Starr says he asked for script changes for the Sam Mendes film project. Four films are planned – one for each Beatle – with Starr played by Barry Keoghan. While pleased now, Starr felt the initial script didn’t reflect him or Maureen (his first wife, who died of leukaemia in 1994): “‘That’s not how we were,’ I’d say. ‘We would never do that.’”

This reminds me of a niggle watching Peter Jackson’s Get Back, the 2021 restoration of Michael Lindsay-Hogg’s 1970 documentary, Let It Be. It only clicked on the second viewing: the Beatles’ wives have undergone a modicum of deepfakery/airbrushing. The men have, too: in some scenes Paul McCartney has the shine of a freshly glazed doughnut. But Linda McCartney and Maureen especially are blandly smoothed – unnecessarily prettified, veritable Chat GPT versions of themselves.

It's perhaps a side-effect of the restoration techniques but it’s still an outrageous liberty, especially when considering the superior reality of Maureen’s working-class fizz, and Linda’s proto-vintage individualism. It’s so nice to learn that Starr wants to see his real Maureen. We all do.

From the band that gave us Paperback Writer to the news that literature is the new arm candy. Dior’s incoming creative director, Jonathan Anderson, has launched a series of literature-themed tote bags, including: Charles Baudelaire’s Les Fleurs de Mal; Pierre Choderlos de Laclos’s Les Liaisons Dangereuses; and Bram Stoker’s Dracula, for those with an inner goth.

Rihanna has been spotted with the Dracula: a triumph of, erm, structured cotton, and (double erm) a steal at £2,500. The literary bag has been done before – from 1984 cross-body clutches to Wuthering Heights satchels – but this is next level. Though if the humble bookworm just got a glow up, it may provoke one of those waves of moral panic like those when people are shown to prefer film and television adaptations to original works. Now you don’t even have to turn on a screen for your literature fix, just sling on the designer bag.

Speaking of the moral vapours, everyone to their stations; it upsets Kirstie Allsopp when she can’t see us working. On Tuesday morning, the TV property doyenne posted a photo of an empty tube carriage with the words: “Don’t know quite what it says but it can’t be a good thing.”

I can’t be the only one who hears the Location, Location, Location theme tune and feels an urge to drop into a curtsey


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Some on social media suggested that Allsopp may be out of touch: at 9.20am, many would already be at work. It was also the hottest day of the year – a vaporising 33 degrees in some parts of London – people may have opted to work from home. Obviously Allsopp, the daughter of a baron, is extremely posh: I can’t be the only one who hears the Location, Location, Location theme tune and feels an urge to drop into a curtsey. Allsopp also has form for criticising working from home, in 2020 tweeting that, post-lockdown, people should return to offices to “prove their worth” to employers.

Concern over WFH is reasonable – from the socioeconomic impact to the effect on the national psyche – but you do wonder if it goes deeper with Kirstie. If lodged somewhere in the ancestral hippocampus, there’s a psychological need to see the peasants baling hay, scrubbing hearths, succumbing to smallpox and the like. Or, these days, obediently steaming like human bao buns on public transport. People like Allsopp may just be wired to expect the rest of us to be conspicuously toiling. Is it really too much to ask?

Photograph: Disney via AP


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