The news that the Greggs sausage roll is to be immortalised in the “culture capital” section of Madame Tussauds, where it will sit on a “regal” blue velvet cushion in the company of Princess Diana and Stormzy, has been greeted with a certain amount of amusement by the media – and I must admit to finding it quite funny myself.
When I read that the museum’s “artists have put in numerous hours to capture every detail of this popular menu item”, I pictured skilled artisans with tiny paint brushes peering with utmost seriousness at Britain’s favourite lunchtime snack, the earnestness of their demeanour only increased by their desperate struggle to ignore their tastebuds, now loudly crying out for warm pastry.
But I long ago learned not to be snobbish about Greggs, a rare success story among the economic rubble of Britain. In 2019, I went to Newcastle, where the company has its HQ, to investigate its astonishing success (last year, the baker made a pre-tax profit of more than £200m on sales of more than £2bn). At the time, I’d never eaten anything from Greggs, a fact that delighted Roger Whiteside, its then chief executive (perceptions of Greggs were changing, and he saw in me a new customer). But ever since I’ve been, if not exactly a regular, then one of its more unlikely defenders.
Whenever I see the logo, I am suffused with warmth and the sense of a miracle
Everything I learned on that visit delighted me, from the company’s history (it began life in 1939, when a Newcastle man called John Robson Gregg started selling eggs and yeast door to door on his bicycle), to the way it treats its staff (it operates a generous profit share scheme), to its respect for local tastes (in the north-east, it sells stotties; in London, Tottenham cakes).
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Images courtesy of Greggs/ Madame Tussauds