The grid: Roberto Benavidez’s playful piñatas

The grid: Roberto Benavidez’s playful piñatas

The LA-based artist gives Bosch’s menacing menagerie a papier-mache makeover


For LA-based artist Roberto Benavidez, papier-mache piñatas, commonly associated with children’s parties, have become a vessel to consider his Mexican-American heritage. In his series Bosch’s Beasts, he uses them to realise the bizarre creatures of Hieronymus Bosch’s 16th-century painting The Garden of Earthly Delights.

“Being mixed race, I enjoy this mashup of the Mexican piñata form with western imagery,” says Benavidez. “It becomes a reflection of myself.” He renders these hybrid beings in fantastical detail, with delicate paper feathers and scales layered on to tumescent balloon bodies. “I like that the piñata form is so accessible both as an artist – inexpensive materials – and as a viewer, being less intimidating than traditional arts,” Benavidez says. “It’s a form anyone can try.” 

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