The Long Walk, about a brutal annual endurance test in which 50 young men plod across the country, is a dour slog

This meagre and unfunny sequel to the original rock mockumentary has none of the first film’s on-the-nose savagery

Olivia Colman is at her best in this portrait of a couple at war

Sorry, Baby is a rare, phenomenal first feature from Eva Victor that achieves a playful intimacy as it explores life-shattering abuses

Ari Aster’s latest film demonstrates that satire without wit and insight is not satire. It’s just trolling

The second release from the Norwegian trilogy is a sexy film about the unsexiest of subjects: kindness

Celine Song’s follow-up to Past Lives is so preoccupied with the asset valuation of prospective partners that it neglects to develop its characters

Film-maker Mstyslav Chernov returns to the frontline, joining a bleak mission to reclaim a devastated Ukrainian village. Plus, The Naked Gun is a surprise goofy delight

Sharply written, insightful and exhilaratingly unexpected, this is one of the very best films of the year

Sally Hawkins is utterly chilling as a bereaved foster mother in this trauma horror from the Philippou brothers

A new comedy starring Tim Robinson and Paul Rudd is a grotesquely deformed mutation of the bromance genre

This brooding adaptation of Jim Crace’s Booker-shortlisted novel about a village imperilled by outsiders is uncomfortably topical

Compared to the full-blooded nastiness of some of his enthusiastically lurid earlier works, this grave-digging horror feels inert and woolly

Cliches and product placement plague a film so corporate it comes with its own registered trademark symbol

From a pleasant but unexceptional Pixar flick to a record-breaking Swedish hit, our film critic rounds up the best of the rest

The true horror of Danny Boyle’s original zombie masterpiece was its subtext. The third film is missing a message

A young woman seeks vengeance on a brutal criminal gang in this skin-flaying Scottish badlands-set feature – a film so vivid you can almost smell it…

Naomi Watts stars as a writer grieving the loss of her friend, played by Bill Murray, and finds herself adopting his colossal canine in this bittersweet New York doggy tale